Vocal Type: Spinto tenor, 3 octaves G2-G5
Vocal Strength: The duality of his tone ranges from
earthy and sexy to bright and agile, depending on what the song calls
for. Incredibly rich lower register maintains its clarity even at its
extremes. Usually sings in full voice with a husky tone and a slight
nasal drawl that [now] appears to be diminishing more and more with age.
Ad libs, runs, and riffs usually contribute to the overall melody of
the song and are skillfully implored. Brown is excellent at vocal
arrangements and harmonizes well.
Vocal Weaknesses: Chris' vocal timbre is arid,
catarrhal, and dry. Doesn't display much variation in vocal styles and
shies away from vocal acrobatics, instead treads safely in his middle
register. Brown's voice isn't very strong nor heavy. Chest belts can
sound strained and forced when pushed to the limits of his upper
register. Although melodic and complimentary, his ad-libs lack variation
and creativity. No vocal stamina, particularly live.
For some reason, Chris always sounds "unwarmed-up" and hoarse,
especially live. High belts past C#5 sound thin and whiney compared to
the usual thickness of his voice. When trying to overtly project his
voice, Brown sings from his head instead of his diaphragm. Limits
himself as a competent live singer due to his inability to reproduce
computerized [electro-pop] notes live. Chris Brown's lip syncing has
become second only to Britney Spears. But at least he still has the
dance moves to make up for it.
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